Why Disney’s “Frozen” Is a Bad Movie

I simply wrapped up the well known Disney film, “Solidified”, for the subsequent time. The publicity encompassing the film was disagreeable and everybody was stating that, “‘Frozen’ is probably the best film ever.” Watching it my first time around, it wasn’t incredible; the bar was set entirely high and my desires didn’t get together to the truth of the film. In any case, after my subsequent time watching it, it has hardened in my mind that this  เที่ยวตามหนังดัง  film is one of the most noticeably terrible Disney has ever created.


There’s really an interesting history encompassing this film. Walt Disney needed to make this film right in 1943. “Solidified” should be Disney’s adjustment of the mainstream fantasy, “The Snow Queen”, composed by Hans Christian Anderson (Get it? Hans, Kristoff, Anna, Sven. Great job, Disney). “The Snow Queen” really has, what might be Elsa, as the lowlife. They concluded they couldn’t make the film during the 40s since they couldn’t figure out how to adjust it to an advanced crowd. They attempted again in the late 1990s, however the task was rejected when one of the head artists on the undertaking, Glen Keane, quit. In 2010, they rejected it again on the grounds that they despite everything couldn’t figure out how to make the story work. At that point, in 2011, they at long last settled on making Anna the more youthful sister of the Snow Queen, which was sufficient for them to make “Solidified”.


“Solidified” was coordinated by Chris Buck (known for “Tarzan”) and Jennifer Lee (known for “Wreck-it-Ralph”). The bar was set really high for me seeing as both those motion pictures were well over the norms of a “child’s film”. The story would have been much the same as the fantasy, however at that point, Christophe Beck formed the hit melody, “Let it Go”. The creation group went insane; rather than attempting to fit the melody into the film, they changed the whole plot and Elsa’s whole character to fit the tune. I have never known about a whole film being changed to fit one melody. Along these lines, it’s explicitly evident that nobody could settle on anything in this film. Since Elsa isn’t the opponent, there truly was no genuine fiendish power. The Duke of Weaselton is raised to be the scoundrel before all else when he states, “Open those entryways so I may open your mysteries and endeavor your wealth. Did I say that so anyone can hear?” Why would you like to open the insider facts and adventure their wealth?


The Duke has positively no advancement to where he doesn’t have a name. He scarcely even gets screen time. So on the off chance that he isn’t the lowlife, who is? All things considered, over the most recent 15 minutes of the film, Anna’s life partner, Prince Hans, is raised to be the scalawag, expressing he needs to govern a realm and he can’t due to his 12 different siblings. This comes out of completely no place. There were no insights, no detestable looks, no sidebars or monologs, nothing. He even gives out covers and hot soup to each individual in the realm of Airendale. Sovereign Hans even says, he will secure Airendale in light of the fact that Anna left him in control and “won’t stop for a second to shield Airendale from injustice” when the Duke states he needs to dominate. I can’t stand it when they get so sluggish as to simply toss in a miscreant at the most recent couple of minutes since they couldn’t really raise a genuine scoundrel. Sovereign Hans expresses that he needed to dominate and he was going to slaughter Elsa and this other poop, yet Elsa was going to be executed and he spared her life. For what reason would he spare her life in the event that he needed her dead